It’s not complicated, nor is it well balanced, but in my 5 hours beating it I never once ran into a bug or crash. After completing the main story once you’ll unlock three more modes including one that greatly adds to the story (and gives a backstory that makes the sexualization of its characters all the worse). There are numerous difficulty options available, though the “true” ending of the game is tied to either playing on the hardest or making sure you never open a single chest in your playthrough. This did lead to a lot of frustration until I found a rather OP chain lightning magic setup that could kill most enemies in one or two casts. Most attacks are really damned slow, and enemies are not.
The magic system feels far more powerful than the melee weapons but until you have a few specific items your use of it is also far more limited. It’s so much more of a shame because the game looks nice, the sound is great, and I really did enjoy changing up my gear setups to match areas. The non-stop perviness really killed any interest I had in the story, and I pushed through the title more out of a sense of duty for this review than anything else.
You see the boss that I defeated to get those panties, which for some reason gave me +1 on my inventory slot, belonged to someone whom it would appear is in their early to mid-teens at the most. I was ready to quit the game after those came up, and maybe I should have because just typing that sentence renewed my anger. There are also relic items, the first of which… is a pair of “striped panties with noticeable yellow stains”. You will come across an impressively wide variety of weapons, spells, and wearable items that allow you to hone a playstyle that suits the area and your preferred approach. It’s standard fare with a mix of checkpoints and save hubs alongside teleporters that help you backtrack when you invariably find yourself stuck progression-wise.Ĭombat consists of two weapon slots, two magic slots, a jump (never a double jump though), and a generous combat roll.
DAYS GONE BEST MELEE WEAPON SERIES
You’ll run into various zombies, demons, undead, ghosts, and more as you work your way through a grid-style series of rooms. Best I can tell, as stated in the intro, no one here outside of perhaps the witch you meet (who is more clothed than the rest) is close to out of their teens. It is the standard anime trope of a normal human being transported into a fantastical world with some amnesia thrown on top and little to no clothing for any ladies involved. You’ll start viciously killing goblins before you meet up with a witch who helps you on your task to stop the summoning of the “Dark Lady”. Her memory is gone and her stomach is always showing no matter what angle she’s shown from.
This is a pretty typical 2D action platformer with areas gated progression-wise by items you’ll find throughout your playthrough. It is certainly not a “survival” game as defined by the west. I take that to mean that they feel you will be required to constantly use menus to heal up, change out your spells, armor, and weaponry and that by default it can be rather difficult. Originally a Kickstarter from South Korean developer Altari Games and published by DANGEN Entertainment which is based out of Japan, Lost Ruins is described by the devs as a survival action game. With realistic boob bounce action Woody Allen’s Take on Anime? I don’t have a slick intro to the main review, so uh yeah this is Lost Ruins. The title features mostly female characters, rarely fully clothed, who often transform into giant monsters with massive swaying breasts. This weird sexualization of characters who both look like and by the game’s end appear to be minors gnaws away at the very heart of what is otherwise a decent, relaxed take on the Metroidvania genre. Underneath a thin veneer of mediocre platforming, decent combat, an at times off-putting story, and surprisingly wonderful music lies a creepy and uncomfortable art style.
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